España, 1958 - 1961, 4’, 16mm
There is no why for my making films. I just liked the twitters of the machine, and since it was an extension of painting for me, I tried it and loved it. In painting I never liked the staid and static, always looked for what would change the source of light and stance, using glitters, glass beads, luminous paint, so the camera was a natural for me to try—but how expensive!
Bells of Atlantis
Estados Unidos, 1952-1953, 10’, 16mm [transfer. Digital]
The ecstatic, mythic montage of Alaskan landscapes
A brief lyric film of death, which brings to equilibrium a single reactive image from a roomful of cadavers.